Multi Camera Production Online and Offline Multiple Choice Questions
1. Creating a storyboard of a video programme is usually at
A. production stage
B. after the shoot
C. pre production stage
D. scripting stage
Answer: C. pre production stage
2. High angle shot indicates that the camera is positioned …………the subject
A. below
B. above
C. at the eye level
D. opposite
Answer: B. above
3. _________ light method measures light intensity falling upon a subject from each lamp directionin turn.
A. incident
B. reflected
C. surface brightness
D. none of the above
Answer: A. incident
4. A system of numbering that allows you to find out any recorded image with pinpoint accuracy is known as……………..
A. time bar
B. frame code
C. frame rate
D. time code
Answer: B. frame code
5. ……………..is the measure of the degree of sharpness of an image
A. resolution
B. pixel
C. accuracy
D. depth
Answer: A. resolution
6. A colored lens or paper that is placed in between the light source and the subject to either darken or lighten a particular colour is a……….
A. filter
B. transparency
C. barn door
D. aperture
Answer: A. filter
7. … ………….is a process of converting analog audio into digital audio
A. sampling
B. recording
C. stretching
D. digitizing
Answer: D. digitizing
8. Take is a version of a………..
A. shot
B. scene
C. sequence
D. mise-en scene
Answer: A. shot
9. _________ shots do not allow audiences to see details
A. close-up
B. long
C. medium
D. none of the above
Answer: B. long
10. Generation loss is the most minimal in
A. nonlinear editing
B. transferring
C. linear editing
D. assemble editing
Answer: A. nonlinear editing
11. ________ light is used to cast pronounced shadows
A. hard
B. soft
C. edge
D. back
Answer: B. soft
12. One-line treatment is usually done at the ……….
A. pre production
B. post production
C. production stage
D. scripting stage
Answer: D. scripting stage
13. ……. refers to the varying levels of brightness and darkness within a particular scene.
A. contrast
B. exposure
C. balance
D. none of the above
Answer: A. contrast
14. ……………refers to the number of samples recorded per second from the source audio
A. sampling rate
B. resolution
C. kerning
D. bit depth
Answer: D. bit depth
15. The light source that casts sharp, well define shadows is called …………
A. key light
B. fill light
C. set light
D. hard light
Answer: D. hard light
16. The simplest and most used transition technique for building a link between two distinct shots is
A. fade
B. dissolve
C. cut
D. wipe
Answer: B. dissolve
17. Rule of thirds is a concept related to ………………….
A. trimming
B. composition
C. tracking
D. lighting
Answer: B. composition
18. ________microphone is not sensitive to handling and has wide range of applications
A. condenser
B. dynamic
C. ribbon
D. none of the above
Answer: A. condenser
19. MFD stands for ________________
A. minimum focusing distance
B. maximum focusing
C. distance minimum focusing direction
D. none of the above
Answer: A. minimum focusing distance
20. A signal to an anchor or presenter to start talking or begin his action is termed as……….
A. cue
B. call
C. order
D. none of the above
Answer: A. cue
21. _________ shots allows audiences to see details
A. close-up
B. long
C. medium
D. none of the above
Answer: A. close-up
22. ___________ tilting is associated with emotion, disappointment and sadness
A. downward
B. upward
C. both 1 & 2
D. none of the above
Answer: C. both 1 & 2
23. A long shot takes the vies of a subject
A. from his heart to his feet
B. from his head to his waist
C. from his head to the ankles
D. none of these
Answer: D. none of these
24. Video program is often structured for a ___________ audience format
A. passive
B. active
C. restrictive
D. none of the above
Answer: D. none of the above
25. A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as ………….
A. steadicam
B. sturdycam
C. studycam
D. none of the above
Answer: A. steadicam
26. The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as
A. shooting ratio
B. canning ratio
C. fog index
D. screen index
Answer: A. shooting ratio
27. CONTINUOUS
A. action that moves from one location to another without any interruptions in time
B. continuity
C. page continuity
D. none of the above
Answer: A. action that moves from one location to another without any interruptions in time
28. CRAWL
A. superimposed titles move across on screen
B. a camera movement
C. an equipment
D. a trolley.
Answer: A. superimposed titles move across on screen
29. CROSSFADE:
A. fade to black then fade to next scene
B. cross fire
C. crossing of unwanted elements
D. none of the above
Answer: A. fade to black then fade to next scene
30. Dialog
A. people are supposed to say according to the script
B. discussion with script writer and director
C. title card
D. none of the above
Answer: A. people are supposed to say according to the script
31. Director
A. head of an institution
B. person converting a script into a movie.
C. set designer
D. none of the above
Answer: B. person converting a script into a movie.
32. DISSOLVE TO
A. a common transition
B. dissolving materials
C. solving an issue
D. none of the above
Answer: A. a common transition
33. Dolly
A. a mechanism for camera movement
B. a chair carrying actors
C. a game
D. none of the above
Answer: A. a mechanism for camera movement
34. ESTABLISHING SHOT
A. establishment
B. beginning of a film to suggest where the story takes place
C. final shot
D. none of the above
Answer: B. beginning of a film to suggest where the story takes place
35. EXT.
A. scene takes place out of doors
B. extra actor
C. extra properties
D. none of the above
Answer: A. scene takes place out of doors
36. EXTREMELY LONG SHOT (XLS):
A. very long distance from the subject or action
B. panoramic shot
C. close up shot
D. none of the above
Answer: A. very long distance from the subject or action
37. FADE OUT
A. image appear in to frame
B. image slowly disappear to black
C. image transit to another frame
D. none of the above
Answer: B. image slowly disappear to black
38. DISSOLVE TO
A. image appear in to frame
B. image slowly disappear to black
C. image transit to another frame
D. none of the above
Answer: A. image appear in to frame
39. NEXT SCENE
A. next chapter
B. not the end of the movie, but end of a major movement
C. next page
D. none of the above
Answer: B. not the end of the movie, but end of a major movement
40. FAVOR ON
A. a particular character or action is highlighted or “favored” in a shot
B. in favor of
C. favoring a character
D. none of the above
Answer: A. a particular character or action is highlighted or “favored” in a shot
41. Feature Film
A. any film at least one hour long that people pay to see
B. documentary
C. advertorial
D. none of the above
Answer: A. any film at least one hour long that people pay to see
42. Final Draft
A. writers last rewrite of a script
B. drafting
C. fair copy
D. shooting script
Answer: A. writers last rewrite of a script
43. FREEZE FRAME:
A. the picture stops moving, becoming a still for a period of time
B. frame of mist or ice berg
C. end of a movie
D. none of the above
Answer: A. the picture stops moving, becoming a still for a period of time
44. INSERT
A. a scene that must be given the camera’s full attention for a moment
B. inserting a picture
C. inserting a dialogue
D. none of the above
Answer: A. a scene that must be given the camera’s full attention for a moment
45. INT.
A. scene takes place indoors
B. international movie
C. interesting scene
D. none of the above
Answer: A. scene takes place indoors
46. Intercutting
A. at a point, two scenes will be shown a few moments each, back and forth
B. cut between shots
C. clapping
D. none of the above
Answer: A. at a point, two scenes will be shown a few moments each, back and forth
47. Decoding
A. convert text to code
B. convert code to text
C. convert to code to another code
D. none of the above
Answer: B. convert code to text
48. IN to View
A. to reveal more of the scene
B. arial shot
C. wide angle
D. close up
Answer: A. to reveal more of the scene
49. Encoding
A. convert text to code
B. convert code to text
C. convert to code to another code
D. none of the above
Answer: B. convert code to text
50. Iris Out
A. transition from one to another frame
B. a black circle closes to end a scene
C. fade in
D. fade out
Answer: A. transition from one to another frame
51. wipe.
A. erasing
B. a transition
C. cleaning
D. none of the above
Answer: B. a transition
52. JUMP CUT TO:
A. a transition
B. action
C. fight scene
D. none of the above
Answer: A. a transition
53. LAP DISSOLVE:
A. fading out one shot while the next one grows clearer
B. last shot
C. beginning shot
D. none of the above
Answer: A. fading out one shot while the next one grows clearer
54. MATCH CUT TO:
A. a transition often used to compare two completely unrelated objects
B. cutting film
C. removing
D. none of the above
Answer: A. a transition often used to compare two completely unrelated objects
55. MATCH DISSOLVE TO
A. fade in
B. a match dissolve involves two objects of similar color, shape,
C. not atransition
D. none of the above
Answer: B. a match dissolve involves two objects of similar color, shape,
56. Montage
A. a series of images showing a theme
B. historic scene
C. insert frame
D. none of the above
Answer: A. a series of images showing a theme
57. MOS
A. moment of silence
B. movement of scene
C. motion of systems
D. none of the above
Answer: A. moment of silence
58. or O.C.
A. off-screen or off-camera
B. offset camera
C. optical camera
D. none of the above
Answer: A. off-screen or off-camera
59. Pan
A. camera turning on a stationary axis
B. trolley
C. close up
D. none of the above
Answer: A. camera turning on a stationary axis
60. Tripods
A. portable three leg frame
B. camera trolley with three wheels
C. dolly
D. none of the above
Answer: A. portable three leg frame
61. Track shot
A. dolly
B. trolly
C. tripod
D. none of the above
Answer: A. dolly
62. Wide angle lens
A. focal length is smaller
B. focal length is longer
C. large size of the lense
D. none of the above
Answer: A. focal length is smaller
63. story board
A. illustrations in sequence
B. story about released film
C. advertorial
D. none of the above
Answer: A. illustrations in sequence
64. Depth of field
A. distance between the nearest and farthest objects
B. depth of back ground
C. depth of object
D. none of the above
Answer: A. distance between the nearest and farthest objects
65. Aspect ratio
A. ratio of width and height
B. ratio of width and depth
C. ratio of width and diagonal
D. none of the above
Answer: A. ratio of width and height
66. key light
A. principle illuminator
B. back light
C. soft light
D. none of the above
Answer: A. principle illuminator
67. OB
A. outside broadcasting
B. original broadcasting
C. offset broadcasting
D. none of the above
Answer: A. outside broadcasting