300+ TOP Multi Camera Production Online & Offline MCQs and Answers

Multi Camera Production Online and Offline Multiple Choice Questions

1. Creating a storyboard of a video programme is usually at
A. production stage

B. after the shoot

C. pre production stage

D. scripting stage

Answer: C. pre production stage

2. High angle shot indicates that the camera is positioned …………the subject
A. below

B. above

C. at the eye level

D. opposite

Answer: B. above

3. _________ light method measures light intensity falling upon a subject from each lamp directionin turn.
A. incident

B. reflected

C. surface brightness

D. none of the above

Answer: A. incident

4. A system of numbering that allows you to find out any recorded image with pinpoint accuracy is known as……………..
A. time bar

B. frame code

C. frame rate

D. time code

Answer: B. frame code

5. ……………..is the measure of the degree of sharpness of an image
A. resolution

B. pixel

C. accuracy

D. depth

Answer: A. resolution

6. A colored lens or paper that is placed in between the light source and the subject to either darken or lighten a particular colour is a……….
A. filter

B. transparency

C. barn door

D. aperture

Answer: A. filter

7. … ………….is a process of converting analog audio into digital audio
A. sampling

B. recording

C. stretching

D. digitizing

Answer: D. digitizing

8. Take is a version of a………..
A. shot

B. scene

C. sequence

D. mise-en scene

Answer: A. shot

9. _________ shots do not allow audiences to see details
A. close-up

B. long

C. medium

D. none of the above

Answer: B. long

10. Generation loss is the most minimal in
A. nonlinear editing

B. transferring

C. linear editing

D. assemble editing

Answer: A. nonlinear editing

11. ________ light is used to cast pronounced shadows
A. hard

B. soft

C. edge

D. back

Answer: B. soft

12. One-line treatment is usually done at the ……….
A. pre production

B. post production

C. production stage

D. scripting stage

Answer: D. scripting stage

13. ……. refers to the varying levels of brightness and darkness within a particular scene.
A. contrast

B. exposure

C. balance

D. none of the above

Answer: A. contrast

14. ……………refers to the number of samples recorded per second from the source audio
A. sampling rate

B. resolution

C. kerning

D. bit depth

Answer: D. bit depth

15. The light source that casts sharp, well define shadows is called …………
A. key light

B. fill light

C. set light

D. hard light

Answer: D. hard light

16. The simplest and most used transition technique for building a link between two distinct shots is
A. fade

B. dissolve

C. cut

D. wipe

Answer: B. dissolve

17. Rule of thirds is a concept related to ………………….
A. trimming

B. composition

C. tracking

D. lighting

Answer: B. composition

18. ________microphone is not sensitive to handling and has wide range of applications
A. condenser

B. dynamic

C. ribbon

D. none of the above

Answer: A. condenser

19. MFD stands for ________________
A. minimum focusing distance

B. maximum focusing

C. distance minimum focusing direction

D. none of the above

Answer: A. minimum focusing distance

20. A signal to an anchor or presenter to start talking or begin his action is termed as……….
A. cue

B. call

C. order

D. none of the above

Answer: A. cue

21. _________ shots allows audiences to see details
A. close-up

B. long

C. medium

D. none of the above

Answer: A. close-up

22. ___________ tilting is associated with emotion, disappointment and sadness
A. downward

B. upward

C. both 1 & 2

D. none of the above

Answer: C. both 1 & 2

23. A long shot takes the vies of a subject
A. from his heart to his feet

B. from his head to his waist

C. from his head to the ankles

D. none of these

Answer: D. none of these

24. Video program is often structured for a ___________ audience format
A. passive

B. active

C. restrictive

D. none of the above

Answer: D. none of the above

25. A camera mounting that straps the camera to the body of the operator to keep the recorded image reasonably steady is known as ………….
A. steadicam

B. sturdycam

C. studycam

D. none of the above

Answer: A. steadicam

26. The number of minutes of tape used to shoot a sequence compared to the screen time of the finished product is known as
A. shooting ratio

B. canning ratio

C. fog index

D. screen index

Answer: A. shooting ratio

27. CONTINUOUS
A. action that moves from one location to another without any interruptions in time

B. continuity

C. page continuity

D. none of the above

Answer: A. action that moves from one location to another without any interruptions in time

28. CRAWL
A. superimposed titles move across on screen

B. a camera movement

C. an equipment

D. a trolley.

Answer: A. superimposed titles move across on screen

29. CROSSFADE:
A. fade to black then fade to next scene

B. cross fire

C. crossing of unwanted elements

D. none of the above

Answer: A. fade to black then fade to next scene

30. Dialog
A. people are supposed to say according to the script

B. discussion with script writer and director

C. title card

D. none of the above

Answer: A. people are supposed to say according to the script

31. Director
A. head of an institution

B. person converting a script into a movie.

C. set designer

D. none of the above

Answer: B. person converting a script into a movie.

32. DISSOLVE TO
A. a common transition

B. dissolving materials

C. solving an issue

D. none of the above

Answer: A. a common transition

33. Dolly
A. a mechanism for camera movement

B. a chair carrying actors

C. a game

D. none of the above

Answer: A. a mechanism for camera movement

34. ESTABLISHING SHOT
A. establishment

B. beginning of a film to suggest where the story takes place

C. final shot

D. none of the above

Answer: B. beginning of a film to suggest where the story takes place

35. EXT.
A. scene takes place out of doors

B. extra actor

C. extra properties

D. none of the above

Answer: A. scene takes place out of doors

36. EXTREMELY LONG SHOT (XLS):
A. very long distance from the subject or action

B. panoramic shot

C. close up shot

D. none of the above

Answer: A. very long distance from the subject or action

37. FADE OUT
A. image appear in to frame

B. image slowly disappear to black

C. image transit to another frame

D. none of the above

Answer: B. image slowly disappear to black

38. DISSOLVE TO
A. image appear in to frame

B. image slowly disappear to black

C. image transit to another frame

D. none of the above

Answer: A. image appear in to frame

39. NEXT SCENE
A. next chapter

B. not the end of the movie, but end of a major movement

C. next page

D. none of the above

Answer: B. not the end of the movie, but end of a major movement

40. FAVOR ON
A. a particular character or action is highlighted or “favored” in a shot

B. in favor of

C. favoring a character

D. none of the above

Answer: A. a particular character or action is highlighted or “favored” in a shot

41. Feature Film
A. any film at least one hour long that people pay to see

B. documentary

C. advertorial

D. none of the above

Answer: A. any film at least one hour long that people pay to see

42. Final Draft
A. writers last rewrite of a script

B. drafting

C. fair copy

D. shooting script

Answer: A. writers last rewrite of a script

43. FREEZE FRAME:
A. the picture stops moving, becoming a still for a period of time

B. frame of mist or ice berg

C. end of a movie

D. none of the above

Answer: A. the picture stops moving, becoming a still for a period of time

44. INSERT
A. a scene that must be given the camera’s full attention for a moment

B. inserting a picture

C. inserting a dialogue

D. none of the above

Answer: A. a scene that must be given the camera’s full attention for a moment

45. INT.
A. scene takes place indoors

B. international movie

C. interesting scene

D. none of the above

Answer: A. scene takes place indoors

46. Intercutting
A. at a point, two scenes will be shown a few moments each, back and forth

B. cut between shots

C. clapping

D. none of the above

Answer: A. at a point, two scenes will be shown a few moments each, back and forth

47. Decoding
A. convert text to code

B. convert code to text

C. convert to code to another code

D. none of the above

Answer: B. convert code to text

48. IN to View
A. to reveal more of the scene

B. arial shot

C. wide angle

D. close up

Answer: A. to reveal more of the scene

49. Encoding
A. convert text to code

B. convert code to text

C. convert to code to another code

D. none of the above

Answer: B. convert code to text

50. Iris Out
A. transition from one to another frame

B. a black circle closes to end a scene

C. fade in

D. fade out

Answer: A. transition from one to another frame

51. wipe.
A. erasing

B. a transition

C. cleaning

D. none of the above

Answer: B. a transition

52. JUMP CUT TO:
A. a transition

B. action

C. fight scene

D. none of the above

Answer: A. a transition

53. LAP DISSOLVE:
A. fading out one shot while the next one grows clearer

B. last shot

C. beginning shot

D. none of the above

Answer: A. fading out one shot while the next one grows clearer

54. MATCH CUT TO:
A. a transition often used to compare two completely unrelated objects

B. cutting film

C. removing

D. none of the above

Answer: A. a transition often used to compare two completely unrelated objects
55. MATCH DISSOLVE TO
A. fade in

B. a match dissolve involves two objects of similar color, shape,

C. not atransition

D. none of the above

Answer: B. a match dissolve involves two objects of similar color, shape,

56. Montage
A. a series of images showing a theme

B. historic scene

C. insert frame

D. none of the above

Answer: A. a series of images showing a theme
57. MOS
A. moment of silence

B. movement of scene

C. motion of systems

D. none of the above

Answer: A. moment of silence
58. or O.C.
A. off-screen or off-camera

B. offset camera

C. optical camera

D. none of the above

Answer: A. off-screen or off-camera
59. Pan
A. camera turning on a stationary axis

B. trolley

C. close up

D. none of the above

Answer: A. camera turning on a stationary axis
60. Tripods
A. portable three leg frame

B. camera trolley with three wheels

C. dolly

D. none of the above

Answer: A. portable three leg frame

61. Track shot
A. dolly

B. trolly

C. tripod

D. none of the above

Answer: A. dolly

62. Wide angle lens
A. focal length is smaller

B. focal length is longer

C. large size of the lense

D. none of the above

Answer: A. focal length is smaller

63. story board
A. illustrations in sequence

B. story about released film

C. advertorial

D. none of the above

Answer: A. illustrations in sequence

64. Depth of field
A. distance between the nearest and farthest objects

B. depth of back ground

C. depth of object

D. none of the above

Answer: A. distance between the nearest and farthest objects

65. Aspect ratio
A. ratio of width and height

B. ratio of width and depth

C. ratio of width and diagonal

D. none of the above

Answer: A. ratio of width and height

66. key light
A. principle illuminator

B. back light

C. soft light

D. none of the above

Answer: A. principle illuminator

67. OB
A. outside broadcasting

B. original broadcasting

C. offset broadcasting

D. none of the above

Answer: A. outside broadcasting

Multi Camera Production Online and Offline Objective Questions with Answers pdf Download Online Exam Test